Description:
Text: engl.Comprising an international history of video art and experimental cinema networks in the early 1970s, this volume examines various exhibitions, broadcasts, and distribution structures, including a case study on the Anthology Film Archives developed by Jonas Mekas. It is divided into two parts: the first explores the emergence and consolidation of video art networks at an international level; the second focuses more specifically on two exhibitions ( New Forms in Film and Une histoire du cinéma ) and the museification of experimental cinema. The book features rare and previously unpublished images and documents alongside commissioned essays.